Showing posts with label Katherine Taylor. Show all posts
Showing posts with label Katherine Taylor. Show all posts

Sunday, November 23, 2025

Making Miniature Books


We had a fun time today making a batch of miniature books! Joe Landry and Katherine Victoria Taylor put together some great kits and brought all the necessary tools, glue, and materials so that everyone could go home with a finished little book ornament. Thank you Joe and Katherine!


We started out with this little kit, complete with candy cane. It included some beautiful chiyogami paper, blank pages for the textblock, boards, spine linings, and thread. In the end, everyone had a fancy little book suitable to be used as a holiday ornament. Great job, everybody!


Tuesday, September 30, 2025

Katherine Victoria Taylor: A Modern Journeymanship

Katherine Victoria TaylorWhen someone speaks with passion about their craft, you can't help but be excited to learn more.

At our most recent NSBAG meeting, Katherine Victoria Taylor took us on her journey of becoming a letterpress printer and press mechanic, also touching on bookbinding and papermaking.

Crediting her 'apprentice' years to Joe Landry, Katherine's journey, overcoming working with intimidating large Vandercook presses, took her to workshops, internships, and artist residencies with expert letterpress printers, designers, and press mechanics in both Canada (Ontario & Nova Scotia) and the United States (Maine, Alabama, Georgia, Wisconsin, Illinois, New York). Katherine spoke about the techniques she developed in press mechanics, the willingness to spend extra time learning new skills, the all-important networking to meet and work with the experts, like Paul Moxon, and bringing those skills back to Nova Scotia. She also explained that printing presses were not just for printing books, but that letterpress printing was often used in making posters with political statements.

Although the names of most of the experts that Katherine mentioned were unknown to me, I was pleased to realize that because of Katherine's networking and invitation, I also had the chance to work with one of them, Amos Paul Kennedy, a well-known letterpress printer who participated in some of the Gaspereau Press Wayzgoose days where we created statement posters.

The slide show and talk was informative, and Katherine’s excitement about letterpress printing and press mechanics was contagious.


Submitted by Heather Loney

Wednesday, December 11, 2024

Book Swap 2024 - Katherine Taylor

The next book to be featured from the NSBAG book swap is a hardcover book by Katherine Taylor. The cover is custom book cloth. The book is a rounded spine case binding with brown endsheets and matching striped endbands.

Friday, August 11, 2023

"Book of Negroes" display at The Black Loyalist Heritage Centre

Canadian writer Lawrence Hill's 2007 best-selling novel, The Book of Negroes (published as Someone Knows My Name in the USA) inspired the 2015 CBC-TV miniseries of the same name.

Hill's novel, in turn, was inspired by a historic non-fiction book of the same name.

The Black Loyalist Heritage Centre located in Birchtown, just outside Shelburne, Nova Scotia, is dedicated to telling the history of the Black Loyalists who are listed in the original Book of Negroes.

Black Loyalist Heritage Centre

In a corner of the Centre is a display dedicated to the Book of Negroes. As the interactive touch panels relate...
Black Loyalist Heritage CentreAs the American Revolution was ending, New York City was the last British stronghold. Loyalists, those who fought on the side of the British, were considered enemies of the newly formed United States, and had to flee for their safety. This included Black Loyalists who fought for the British for the promise of freedom, including many former slaves who escaped from their former slave holders.

"General George Washington pressed Sir Guy Carleton to ensure that no Black people who were 'claimed' by Americans left New York. Carleton however, stayed true to the loyal Black people who fought for the British. Over 2,800 Black Loyalists, their names recorded in the Book of Negroes, would depart from New York for Nova Scotia and other parts of the world. Less than 1,000 listed in the Book of Negroes arrived in Nova Scotia."

Book of Negroes
First page, Book of Negroes
(touch-screen display, Black Loyalist Heritage Centre.)


Book of Negroes
Page spread from the actual Book of Negroes
(touch-screen display, Black Loyalist Heritage Centre.)
The Book of Negroes is a list of Black Loyalists who left New York with the British. As noted on the touch panels:
"The book gives a description of the person, a name, name of their former enslaver, the name of the ship they left on, the captain's name, destination, past and present status, and the port and date of embarkation."
Two copies were recorded at the same time. One by the Americans and one by the British.
"The Americans intended to use this document to claim financial compensation from the British for losses during the war. This included claims of slave holders..." many of whom descended upon New York City to attempt to re-enslave Black Loyalists by any means possible before their departure to freedom.
On display behind thick glass is the facsimile of the Book of Negroes created for the 2015 CBC-TV miniseries. This imposing, brown, linen-covered, half-bound 150-page ledger features a red and yellow headband and marbled endpapers.

Book of Negroes
Front cover of facsimile with gold-embossed name plate.

The facsimile book on display was a joint creation between NSCAD instructors, master bookbinder Joe Landry and bookbinder Katherine Taylor. Katherine offers: "It was early in my time with Joe. I did the sewing and the headband and helped Joe do the rest as much as my skills would allow at the time. We also worked on set of the show."

Book of Negroes
Top view of facsimile showing marbled end papers.

Whatever happened to the original Book of Negroes?

Andrea Davis, Executive Director of the Black Loyalist Heritage Centre, shared that the book created by the British is kept at The National Archives in Kew, England, and that a petition has been created to get the book on loan to Canada for display. The book created by the Americans is kept at The National Archives in Washington, D.C. This version was published (not as a facsimile) in 1996.
"The original archival Book of Negroes, intended to serve as the basis for compensation claims made by American enslavers. More than an inventory, this is a record book of survival. Through it we remember our ancestors. Through it we recover our families.”
The history of the Black Loyalists is a story of oppression, resilience and survival against all odds. Black Loyalist history is both inspiring and uplifting, as well as harrowing and deeply disturbing.

If you wish to plan a visit, the Black Loyalist Heritage Centre is open until mid-October. Check website for hours and open dates: blackloyalist.novascotia.ca.

Review by Charles Salmon


Wednesday, October 26, 2022

Nocturne "Legacy": printing, collage, and origami

Nocturne, Halifax's October contemporary arts festival, is now in its 15th year. This year's theme of "Legacy," featured installations of particular interest to book and paper arts enthusiasts.

Outside the Dawson Print Shop on the Granville Mall, Katherine Taylor, a NSCAD book arts and letterpress instructor, was running a "hands on" demonstration of a table top printing press. This family-friendly exhibit let people experience making a colour pressure print. Based on Ms. Taylor's Ukrainian legacy, she had the word "Family" carved using Cyrillic letters, into a lino block. It was then printed on a base print of an intricate flower pattern, reminiscent of paper filigree. The chipboard base print pressure plate was cut using a Cricut machine, which can reproduce and cut most paper material and almost any pattern that is uploaded to a computer. The design possibilities for cards, posters, end plates and text blocks is virtually limitless.

The Legacy theme continued over at Inkwell letterpress studio on South Park Street, with another interactive print/paper activity. Billed as "Mind your Ps and Qs," prints of common English language phrases originating from the print industry, were created on a 1921 cast iron printing press that uses carbon negative ink made from algae. Like the Dawson Print shop, each participant went home with a print.

On Lower Water Street, the Halifax Collage Collective created a large, paper-based mural collage. Participants were asked to comb through paper-based materials and ephemera like old magazines, journals, drawings, printed material, etc., and select items that they felt contributed to their personal legacy. Using scissors, glue and drawing materials, a paper-based collage was created that encouraged participants to reflect on their personal legacy.

At the Chase Gallery (located in the NS Archives, on the Dalhousie University campus), a group show based on identity called "I Am What I Am," featured works using materials ranging from acrylic, paint and fabric to metal, found objects and paper mâché. Among those featured, was Miya Turnbull, a Japanese Canadian artist living in Nova Scotia whose art practice is informed by Japanese paper work. Among Ms. Turnbull's works was a series of Origami Self Portraits (of crane, frog, heart, box and butterfly) created from colour photographic prints incorporating the artist's eyes and lips. This original approach in utilizing deconstructed facial features in origami was both mesmerizing and unsettling.

While Nocturne is over, "I Am What I Am" continues until Oct. 29th, 2022.
Miya Turnbull origami self portraits

Review by Charles Salmon