Outside the Dawson Print Shop on the Granville Mall, Katherine Taylor, a NSCAD book arts and letterpress instructor, was running a "hands on" demonstration of a table top printing press. This family-friendly exhibit let people experience making a colour pressure print. Based on Ms. Taylor's Ukrainian legacy, she had the word "Family" carved using Cyrillic letters, into a lino block. It was then printed on a base print of an intricate flower pattern, reminiscent of paper filigree. The chipboard base print pressure plate was cut using a Cricut machine, which can reproduce and cut most paper material and almost any pattern that is uploaded to a computer. The design possibilities for cards, posters, end plates and text blocks is virtually limitless.
The Legacy theme continued over at Inkwell letterpress studio on South Park Street, with another interactive print/paper activity. Billed as "Mind your Ps and Qs," prints of common English language phrases originating from the print industry, were created on a 1921 cast iron printing press that uses carbon negative ink made from algae. Like the Dawson Print shop, each participant went home with a print.
On Lower Water Street, the Halifax Collage Collective created a large, paper-based mural collage. Participants were asked to comb through paper-based materials and ephemera like old magazines, journals, drawings, printed material, etc., and select items that they felt contributed to their personal legacy. Using scissors, glue and drawing materials, a paper-based collage was created that encouraged participants to reflect on their personal legacy.
At the Chase Gallery (located in the NS Archives, on the Dalhousie University campus), a group show based on identity called "I Am What I Am," featured works using materials ranging from acrylic, paint and fabric to metal, found objects and paper mâché. Among those featured, was Miya Turnbull, a Japanese Canadian artist living in Nova Scotia whose art practice is informed by Japanese paper work. Among Ms. Turnbull's works was a series of Origami Self Portraits (of crane, frog, heart, box and butterfly) created from colour photographic prints incorporating the artist's eyes and lips. This original approach in utilizing deconstructed facial features in origami was both mesmerizing and unsettling.
While Nocturne is over, "I Am What I Am" continues until Oct. 29th, 2022.
Review by Charles Salmon
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