
Keeping with our November tradition, a group of NSBAG participants gathered once again to swap handmade books. In this swap, everyone creates a handbound blank book and brings it to the meeting. The books are all wrapped in brown paper so we can't see the books right away. The packages are each assigned a number, then the participants each draw a number and receive the corresponding package. Finally, we open the packages and marvel at each other's wonderful work! As always, there was a wide range of techniques and materials and creativity in the books this year.
Have a closer look at each book:
Sally Crawford made her book with a variety of her own eco-dyed papers bound using a traditional Japanese sewing. |
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Larry Colwell made a traditional case binding, quarter cloth with marbled paper. |
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Tarika Stitt's book is a traditional codex with faux leather, handmade paper, hand-sewn endbands, and customized painted endpapers. |
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Mallory Kinley made a hardcover longstitch binding with her original watercolour illustrations for the pastedowns. |
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Heather Loney made a book using the Criss Cross Binding (also known as Secret Belgian Binding) technique with custom book cloth on the covers. |
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Rhynn Winstead made a book with custom linen bookcloth, decorative paper, hand-sewn endbands, and her original kitikate relief prints for the pastedowns. |
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Joe Landry's book is a Rubow millimetre binding with brown leather and marbled paper. |
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Stephanie Morley's book is a German case binding in full cloth with elephant paper endsheets. |
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Emily Brown made a full cloth case binding with embossed design and custom endpapers, design inspired by the Fantastic Flying Books of Mr. Morris Lessmore. |
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Marilynn Rudi bound a journal using the reverse piano hinge binding technique and a mix of decorative papers. |
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Rhonda Miller's book is a Rubow millimetre binding with purple goatskin leather and her original hand-marbled paper. |
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